THE STRANGER by Albert Camus - absurd, existential

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The Montrose Great Books discussion was extremely well attended Thursday evening for our discussion of THE STRANGER by Albert Camus. I stopped counting at 30 attendees.  I apologize to those who didn’t get a seat at the front but since we were in the large room downstairs, at least we were able to seat quite a few more than had we met in our usual place in the conference room upstairs. I will try to get the downstairs conference room for next time.

Wendy was the moderator and led a very well organized and well structured meeting with excellent questions as well as a brief intro to Existential philosophy.  We started with a discussion of Meurseault, the narrator and main protagonist.  Wendy asked: what was he like? Most agreed that he was literally “thoughtless”.  Did he like his job? Not anymore than he liked anything else. Except for one thing he liked to do at work, he liked “washing his hands”, a symbol for his fondness for (or at least connection with) physical sensations such as water and the sun and sex (of course).  He was good at his job but since he didn’t seem to really like anything, not even an offer to work in Paris by his boss (pretty incredible to most of us that he turned this down), we assume that he was competent without any passion.  

Next we discussed his relationship with his Mother. It seemed strange or at least very unusual for him not to feel any grief for her death. His first response was to wonder what day she actually died, whether today or yesterday.  Some wondered why he even went to the funeral but then others remembered that there were some papers for him to sign.  While attending her funeral, he thought “what an agreeable walk I might have if it hadn’t been for my mother.”  If he didn’t dislike her, it was very clear that he had no feelings for her but this was not a surprise as we read on since he really has no feelings, good or bad,  for anyone including his girlfriend, Marie.  When she asks him whether he loves her, he says “No’.  His honesty here is one of his redeeming traits that allows the reader to consider him a decent fellow in some respects, certainly a step above his sleazy neighbors,  

He chose to associate with or be acquainted with his neighbors such as Mr. Salamano who abused his dog as well as Raymond who is a pimp and who abused women and who was responsible for Meursault being on the beach where he killed the Arab (who originally was after Raymond for revenge for his treatment of a relative.)  Meursault’s lack of judgment in being acquainted with these neighbors who are sleazy and not the sort a decent fellow would associate with is another sign of the emptiness of his thoughts.   Also, one might consider the theme of the absurd being included at this point because he tends to believe “nothing matters” including whether his friends or acquaintances are scumbags.

From some background reading, I understand that Algiers was in the midst of a violent civil war that had gone on for decades, with rampant racism.  Nothing was mentioned in the book about this.  Some think that considering Camus’ avid involvement in the political climate and upheaval in Algiers at this time and the absence in the book of any description of the context of the war that might have been part of the conflict with Raymond and the Arabs is yet another sign of how disconnected Meursault was from what should have been his social world.  

And at some point, we discussed whether the story was really very credible. We actually came back to this a couple of times. How realistic is it to believe that it was totally chance that he went back on the beach after he was tired,  with a revolver in his pocket, and with the problem of the sun still being very hot,  headed for the same place where he and Raymond were just assaulted a short time before?  This question seems to only be satisfactorily answered by considering the theme of the absurd.

Regarding the killing, Meursault thinks: “It occurred to me that all I had to do was turn around and that would be the end of it. I took a few steps toward the spring” and with this poor choice of options, he causes the Arab to take his knife out and causes Meursault to shoot him, not once but five times. He later tells the prosecutor that the fact that he fired an additional four shots “doesn’t matter”.  As was mentioned in the discussion, this exemplifies the absurd theme again but a main theme of chance or contingency is also reflected in this passage as well.

Pretty unbelievable, IMO.  This is the point where I came to the conclusion that the character was more of a “stick figure” than meant to be a real “in the flesh” character. This is the point where it seemed to me that the symbolism or metaphorical attributes of the character were larger than the character himself.  And now as I write this, this is the point where I believe Camus intends for Meursault not to be an “individual”, not yet anyway. He is still undeveloped without a social context. He was someone with few real connections with society as was noted at the discussion in answer to one of Wendy’s questions.  And this fits well with what I understand about existentialist theory, that one can’t be a true individual unless they first have a socially derived self from which they can launch their own individuality.

The trial was the mechanism used by Camus for Meursault to be able to arrive at his own individuality.  For example, at the trial, he actually recognized that others loathed him, something that in Part 1 of the book, he wouldn’t have noticed.  

What was he a symbol of, then? In simple words, I think he symbolized someone without a thought in their head except for a few such as those he remembered hearing from his mother that are included in the first part of the book.  One attendee commented that in Part 1 he symbolized innocence in the Genesis sense. He has not yet eaten of the tree of good and evil.  In part 2, Meursault is then cast out of his innocent happy life through imprisonment.

At the trial, his lawyer never even raises the defense of “self defense”.  Everyone  attending our discussion agreed that Meursault was not convicted of the murder of the Arab but instead was really convicted of not grieving properly for his Mother. Most believed at the discussion that if he would have faked his grief, he would have been acquitted..

The passage in Part 2 where he finally understands that he is guilty which from what I’ve read, some write this could be interpreted to mean that he recognized he was guilty of his humanity corresponding to the Garden of Eden analysis.  This recognition is the most important part of the book, IMO.   But what may be more important but more difficult to understand is the conclusion.  We talked at length about this. The best I can do to describe what sounded like a reasonable explanation to me from the discussion is to use a conclusion by one of the attendees,  that Meursault comes “full circle”. 

In part 1, he says things don’t matter but this isn’t a result of any real reflection since there are no thoughts in his head.  In part 2, he actually has feelings, develops a social context as a result of the people at the trial, understands how they loathe him, develops his own feelings such as his anger with the chaplain,  then develops his own individuality,  and as a result of reflection using his newly developed individuality thinks that things don’t really matter.  In the words of the book, he refers to this as “benign indifference” or “gentle indifference” depending on which translation. Doesn’t this seem to be what he thought in the beginning? It does to me except that now, as was commented in the discussion, he has arrived at this conclusion through reflection.

Looking forward to our next discussion of  HANDFUL OF DUST by Evelyn Waugh scheduled for July 3rd at 6pm.at the Freed-Montrose Library conference room currently scheduled for the upstairs conference room but I will try to get this moved downstairs. Stay tuned.

See our web page at http://www.houstonbookclubs.org/Montrose/ for more information about our group.

p.s. I may provide a link to Wendy’s questions here. Not sure yet about this.

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1 Comments

I tried to finish reading this book,but found it difficult .There was no humor ,and since I knew the ending could not make myself stay with the plot.It is my issue,but your summary was very helpful. It is a very deep essay,published during the worst times of world War 2---One can take the position that Meursault is trying suicide--because life is without purpose.Also this is one of the key questions that Camus looks at.By the time ,Meursault changes his mind it is too late. Great classical works,thanks.

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